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    <loc>http://www.enikohodosy.com/animaliavariabilis</loc>
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      <image:title>animalia variabilis - Animalia Variabilis</image:title>
      <image:caption>The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.     Projections/Crocodilus mississipiensis Daudin, 2016</image:caption>
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      <image:title>animalia variabilis - Animalia Variabilis</image:title>
      <image:caption>The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.     Projections/Crocodilus mississipiensis Daudin, 2016</image:caption>
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      <image:title>animalia variabilis - Animalia Variabilis</image:title>
      <image:caption>The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.     Projections/Mustela putorius, 2016</image:caption>
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      <image:title>animalia variabilis - Animalia Variabilis</image:title>
      <image:caption>The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.     Projections/Talpa europea, 2016</image:caption>
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      <image:title>animalia variabilis - Animalia Variabilis</image:title>
      <image:caption>The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.     Projections/Spalax leucodon, 2016</image:caption>
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      <image:title>animalia variabilis - Animalia Variabilis</image:title>
      <image:caption>The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.     Projections/Lepus europaeus, 2016</image:caption>
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      <image:title>animalia variabilis - Animalia Variabilis</image:title>
      <image:caption>The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.     Projections/Erinaceus europaeus, 2016</image:caption>
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      <image:title>animalia variabilis - Animalia Variabilis</image:title>
      <image:caption>The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.     Projections/Mustela nivalis, 2016</image:caption>
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      <image:title>animalia variabilis - Animalia Variabilis</image:title>
      <image:caption>The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.     Projections/Meles meles, 2016</image:caption>
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      <image:title>animalia variabilis</image:title>
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      <image:title>animalia variabilis - Animalia Variabilis</image:title>
      <image:caption>The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.     Projections/Sciurus vulgaris, 2016</image:caption>
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      <image:title>animalia variabilis - Animalia Variabilis</image:title>
      <image:caption>The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.     Projections/Falco columbarius, 2016</image:caption>
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      <image:title>animalia variabilis - Animalia Variabilis</image:title>
      <image:caption>The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.     Projections/Meles meles, 2016</image:caption>
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      <image:title>animalia variabilis - Animalia Variabilis</image:title>
      <image:caption>The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.     Projections/Martes foina, 2016</image:caption>
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      <image:title>animalia variabilis - Animalia Variabilis</image:title>
      <image:caption>The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.     Projections/Meles meles, 2016</image:caption>
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      <image:title>animalia variabilis - Animalia Variabilis</image:title>
      <image:caption>The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.     Projections/Meles meles, 2016</image:caption>
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      <image:title>animalia variabilis - Animalia Variabilis</image:title>
      <image:caption>The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.     Projections/Vulpes vulpes, 2016</image:caption>
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    <loc>http://www.enikohodosy.com/news/2022/1/9/capazine-lets-eat</loc>
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      <image:title>news - CAPAZINE – LET’S EAT - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>We often get hurt during friction in our relationships. After a fight or argument, our soul and inner self might get damaged the same way as our body could. My interest was how to portray mental injuries and visualize an internal elusive state. This series emphasizes the female aspect, showing how much we suffer through games people play and how connected the misery of mind, body and soul could be. To express this, I started out with scars and bruises which could represent an allegory of wounds in the soul. The base content, containing photos about bruises, is being supplemented by additional pictures from my photo diary. Furthermore, the thread of thought is being extended both in time and space by cultural and art historical references. The result is an atmospheric set that induces association and interprets the concept based on different aspects. By this, beyond the personal level, a more general message is also being formulated. An important part of the series is that it doesn’t uncover the infliction of pain. It remains on the level of visual implication, focusing the meaning on the soul.</image:caption>
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