Animalia Variabilis
Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Crocodilus mississipiensis Daudin, 2016

Animalia Variabilis
Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Mustela putorius, 2016

Animalia Variabilis
Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Talpa europea, 2016

Animalia Variabilis
Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Spalax leucodon, 2016

Animalia Variabilis
Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Lepus europaeus, 2016

Animalia Variabilis
Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Erinaceus europaeus, 2016

Animalia Variabilis
Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Mustela nivalis, 2016

Animalia Variabilis
Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Meles meles, 2016

Animalia Variabilis
Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Sciurus vulgaris, 2016

Animalia Variabilis
Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Falco columbarius, 2016

Animalia Variabilis
Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Meles meles, 2016

Animalia Variabilis
Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Martes foina, 2016

Animalia Variabilis
Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Meles meles, 2016

Animalia Variabilis
Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Meles meles, 2016

Animalia Variabilis
Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was inspired by genetic mutations: how can DNA code transformation deform living creatures.
To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tehnique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry
the entire genetic material.

 

 

Projections/Vulpes vulpes, 2016

animalia variabilis.jpg
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
animalia variabilis.jpg
Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Crocodilus mississipiensis Daudin, 2016

Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Mustela putorius, 2016

Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Talpa europea, 2016

Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Spalax leucodon, 2016

Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Lepus europaeus, 2016

Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Erinaceus europaeus, 2016

Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Mustela nivalis, 2016

Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Meles meles, 2016

Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Sciurus vulgaris, 2016

Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Falco columbarius, 2016

Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Meles meles, 2016

Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Martes foina, 2016

Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Meles meles, 2016

Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was ispired by genetic mutations: how can DNA code transformation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this technique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire genetic material.

 

 

Projections/Meles meles, 2016

Animalia Variabilis

This photo series presents a 2D projection of 3D bodies of the 4D existence. More specifically it was inspired by genetic mutations: how can DNA code transformation deform living creatures.
To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tehnique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry
the entire genetic material.

 

 

Projections/Vulpes vulpes, 2016

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